Grammy Awards per l'anno 1976
Il 19° Grammy Awards fu tenuto il 19 Febbraio 1977. I
riconoscimenti riguardavano le realizzazioni dei musicisti per l'anno
precedente.
    - Record of the Year 
            - Tommy LiPuma (producer) & George Benson for
                "This Masquerade" 
 
- Album of the Year 
            - Stevie Wonder (producer & artist) for Songs
                in the Key of Life 
 
- Song of the Year 
            - Bruce Johnston (songwriter) for "I Write the
                Songs" performed by Barry Manilow 
 
- Best New Artist 
    
Children's 
    - Best Recording for Children 
            - Karl Bohm (conductor) & Hermione Gingold for Prokofiev:
                Peter and the Wolf/Saint-Saëns: Carnival of the
                Animals 
 
Classical 
    - Best Classical Orchestral Performance 
            - Raymond Minshull (producer), Georg Solti (conductor)
                & the Chicago Symphony Orchestra for Strauss:
                Also Sprach Zarathustra 
 
- Best Classical Vocal Soloist Performance 
            - Beverly Sills for Herbert: Music of Victor
                Herbert 
 
- Best Opera Recording 
            - Michael Woolcock (producer), Lorin Maazel (conductor),
                Leona Mitchell, Willard White & the Cleveland
                Orchestra for Gershwin: Porgy and Bess 
 
- Best Choral Performance (other than opera) 
            - Andre Previn (conductor), Arthur Oldham (choir
                director) & the London Symphony Orchestra
                & Chorus; for Rachmaninoff: The Bells
            
 
- Best Classical Performance, Instrumental Soloist or
        Soloists (with orchestra) 
            - Daniel Barenboim (conductor), Artur Rubinstein
                & the London Philharmonic Orchestra for Beethoven:
                The Five Piano Concertos 
 
- Best Classical Performance, Instrumental Soloist or
        Soloists (without orchestra) 
            - Vladimir Horowitz for Horowitz Concerts 1975/76
            
 
- Best Chamber Music Performance 
            - David Munrow (conductor) & the Early Music
                Consort of London for The Art of Courtly Love
            
 
- Best Classical Album 
            - Max Wilcox (producer), Daniel Barenboim (conductor),
                Artur Rubinstein & the London Philharmonic
                for Beethoven: The Five Piano Concertos 
 
Comedy 
    - Best Comedy Recording 
            - Richard Pryor for Bicentennial Nigger 
 
Composing and arranging 
    - Best Instrumental Composition 
            - Chuck Mangione (composer) for Bellavia 
 
- Album of Best Original Score Written for a Motion Picture
        or Television Special 
            - Norman Whitfield (composer) for Car Wash
                performed by various artists 
 
- Best Instrumental Arrangement 
            - Chick Corea (arranger) for "Leprechaun's
                Dream" 
 
- Best Arrangement Accompanying Vocalist(s) 
            - James William Guercio & Jimmie Haskell (arrangers)
                for "If You Leave Me Now" performed by
                Chicago 
 
- Best Arrangement for Voices (duo, group or chorus) 
            - Starland Vocal Band (arranger) for "Afternoon
                Delight" 
 
Country 
    - Best Country Vocal Performance, Female 
            - Emmylou Harris for Elite Hotel 
 
- Best Country Vocal Performance, Male 
            - Ronnie Milsap for "(I'm a) Stand By My Woman
                Man" 
 
- Best Country Vocal Performance by a Duo or Group 
            - Amazing Rhythm Aces for "The End Is Not in
                Sight (The Cowboy Tune)" 
 
- Best Country Instrumental Performance 
            - Chet Atkins & Les Paul for Chester and
                Lester 
 
- Best Country Song 
            - Larry Gatlin (songwriter) for "Broken Lady"
            
 
Folk 
    - Best Ethnic or Traditional Recording 
            - John Hartford for Mark Twang 
 
Gospel 
    - Best Gospel Performance (other than soul gospel) 
            - The Oak Ridge Boys for "Where the Soul Never
                Dies" 
 
- Best Soul Gospel Performance 
            - Mahalia Jackson for How I Got Over 
 
- Best Inspirational Performance 
            - Gary S. Paxton for The Astonishing,
                Outrageous, Amazing, Incredible, Unbelievable,
                Different World of Gary S. Paxton 
 
Jazz 
    - Best Jazz Vocal Album 
            - Ella Fitzgerald for Fitzgerald and Pass...Again
            
 
- Best Jazz Instrumental Performance, Soloist 
            - Count Basie for Basie and Zoot 
 
- Best Instrumental Jazz Performance, Individual or Group 
            - Chick Corea for The Leprechaun 
 
- Best Latin Jazz Performance 
            - Duke Ellington for The Ellington Suites 
 
Latin 
    - Best Latin Recording 
            - Eddie Palmieri for Unfinished Masterpiece
            
 
Musical Show 
    - Best Musical Show Album 
            - Luigi Creatore (producer) for Bubbling Brown
                Sugar performed by various artists 
 
Packaging and Notes 
    - Best Album Package - Incl. Album Cover, Graphic Arts,
        Photography 
            - John Berg (art director) for Chicago X
                performed by Chicago 
 
- Best Album Notes 
            - Dan Morgenstern (notes writer) for The
                Changing Face of Harlem, the Savoy Sessions
                performed by Various Artists 
 
Pop 
    - Best Female Pop Vocal Performance 
            - Linda Ronstadt for Hasten Down the Wind 
 
- Best Male Pop Vocal Performance 
            - Stevie Wonder for Songs in the Key of Life
            
 
- Best Pop Performance by a Duo or Group with Vocal 
            - Chicago for "If You Leave Me Now" 
 
- Best Pop Instrumental Performance 
            - George Benson for Breezin' 
 
Production and engineering 
    - Best Engineered Recording, Non-Classical 
            - Al Schmitt (engineer) for Breezin' performed
                by George Benson 
 
- Producer of the Year, Non-Classical 
    
- Best Classical Engineered Recording 
            - Edward (Bud) T. Graham, Milton Cherin & Ray
                Moore (engineers) for Gershwin: Rhapsody in
                Blue performed by George Gershwin (1925
                recording) & Columbia Jazz Band conducted by
                Michael Tilson Thomas 
 
R&B 
    - Best R&B Instrumental Performance; 
            - George Benson for "Theme From Good King
                Bad" 
 
- Best Female R&B Vocal Performance; 
            - Natalie Cole for "Sophisticated Lady (She's
                a Different Lady)" 
 
- Best Male R&B Vocal Performance; 
            - Stevie Wonder for "I Wish" 
 
- Best R&B Performance by a Duo or Group with Vocal; 
            - Billy Davis Jr & Marilyn McCoo for "You
                Don't Have to Be a Star (to Be in My Show)" 
 
- Best R&B Song; 
            - Boz Scaggs & David Paich (songwriters) for
                "Lowdown" performed by Boz Scaggs 
 
Spoken 
    - Best Spoken Word or Non-musical Album 
            - James Earl Jones & Orson Welles for Great
                American Documents
 
1975  
  1977
 1977
Indietro alla pagina articoli e interviste
 Indietro
alla Home Page
 Indietro
alla Home Page